Array ( [0] => < [1] => p [2] => > [3] => 骤 [4] => 雨 [5] => 新 [6] => 霁 [7] => 。 [8] => 荡 [9] => 原 [10] => 野 [11] => 、 [12] => 清 [13] => 如 [14] => 洗 [15] => 。 [16] => 断 [17] => 霞 [18] => 散 [19] => 彩 [20] => , [21] => 残 [22] => 阳 [23] => 倒 [24] => 影 [25] => , [26] => 天 [27] => 外 [28] => 云 [29] => 峰 [30] => , [31] => 数 [32] => 朵 [33] => 相 [34] => 倚 [35] => 。 [36] => 露 [37] => 荷 [38] => 烟 [39] => 芰 [40] => 满 [41] => 池 [42] => 塘 [43] => , [44] => 见 [45] => 次 [46] => 第 [47] => 、 [48] => 几 [49] => 番 [50] => 红 [51] => 翠 [52] => 。 [53] => 当 [54] => 是 [55] => 时 [56] => 、 [57] => 河 [58] => 朔 [59] => 飞 [60] => 觞 [61] => , [62] => 避 [63] => 炎 [64] => 蒸 [65] => , [66] => 想 [67] => 风 [68] => 流 [69] => 堪 [70] => 继 [71] => 。 [72] => < [73] => / [74] => p [75] => > [76] => < [77] => p [78] => > [79] => 晚 [80] => 来 [81] => 高 [82] => 树 [83] => 清 [84] => 风 [85] => 起 [86] => 。 [87] => 动 [88] => 帘 [89] => 幕 [90] => 、 [91] => 生 [92] => 秋 [93] => 气 [94] => 。 [95] => 画 [96] => 楼 [97] => 昼 [98] => 寂 [99] => , [100] => 兰 [101] => 堂 [102] => 夜 [103] => 静 [104] => , [105] => 舞 [106] => 艳 [107] => 歌 [108] => 姝 [109] => , [110] => 渐 [111] => 任 [112] => 罗 [113] => 绮 [114] => 。 [115] => 讼 [116] => 闲 [117] => 时 [118] => 泰 [119] => 足 [120] => 风 [121] => 情 [122] => , [123] => 便 [124] => 争 [125] => 奈 [126] => 、 [127] => 雅 [128] => 歌 [129] => 都 [130] => 废 [131] => 。 [132] => 省 [133] => 教 [134] => 成 [135] => 、 [136] => 几 [137] => 阕 [138] => 清 [139] => 歌 [140] => , [141] => 尽 [142] => 新 [143] => 声 [144] => , [145] => 好 [146] => 尊 [147] => 前 [148] => 重 [149] => 理 [150] => 。 [151] => < [152] => / [153] => p [154] => > ) Array ( [0] => 玉 [1] => 山 [2] => 枕 [3] => ( [4] => 仙 [5] => 吕 [6] => 调 [7] => ) )
宋代·柳永的简介
柳永,(约987年—约1053年)北宋著名词人,婉约派代表人物。汉族,崇安(今福建武夷山)人,原名三变,字景庄,后改名永,字耆卿,排行第七,又称柳七。宋仁宗朝进士,官至屯田员外郎,故世称柳屯田。他自称“奉旨填词柳三变”,以毕生精力作词,并以“白衣卿相”自诩。其词多描绘城市风光和歌妓生活,尤长于抒写羁旅行役之情,创作慢词独多。铺叙刻画,情景交融,语言通俗,音律谐婉,在当时流传极其广泛,人称“凡有井水饮处,皆能歌柳词”,婉约派最具代表性的人物之一,对宋词的发展有重大影响,代表作 《雨霖铃》《八声甘州》。
...〔► 柳永的诗(182篇)〕