Array ( [0] => < [1] => p [2] => > [3] => 渐 [4] => 亭 [5] => 皋 [6] => 叶 [7] => 下 [8] => , [9] => 陇 [10] => 首 [11] => 云 [12] => 飞 [13] => , [14] => 素 [15] => 秋 [16] => 新 [17] => 霁 [18] => 。 [19] => 华 [20] => 阙 [21] => 中 [22] => 天 [23] => , [24] => 锁 [25] => 葱 [26] => 葱 [27] => 佳 [28] => 气 [29] => 。 [30] => 嫩 [31] => 菊 [32] => 黄 [33] => 深 [34] => , [35] => 拒 [36] => 霜 [37] => 红 [38] => 浅 [39] => , [40] => 近 [41] => 宝 [42] => 阶 [43] => 香 [44] => 砌 [45] => 。 [46] => 玉 [47] => 宇 [48] => 无 [49] => 尘 [50] => , [51] => 金 [52] => 茎 [53] => 有 [54] => 露 [55] => , [56] => 碧 [57] => 天 [58] => 如 [59] => 水 [60] => 。 [61] => [62] => < [63] => / [64] => p [65] => > [66] => < [67] => p [68] => > [69] => 正 [70] => 值 [71] => 升 [72] => 平 [73] => , [74] => 万 [75] => 几 [76] => 多 [77] => 暇 [78] => , [79] => 夜 [80] => 色 [81] => 澄 [82] => 鲜 [83] => , [84] => 漏 [85] => 声 [86] => 迢 [87] => 递 [88] => 。 [89] => 南 [90] => 极 [91] => 星 [92] => 中 [93] => , [94] => 有 [95] => 老 [96] => 人 [97] => 呈 [98] => 瑞 [99] => 。 [100] => 此 [101] => 际 [102] => 宸 [103] => 游 [104] => , [105] => 凤 [106] => 辇 [107] => 何 [108] => 处 [109] => , [110] => 度 [111] => 管 [112] => 弦 [113] => 清 [114] => 脆 [115] => 。 [116] => 太 [117] => 液 [118] => 波 [119] => 翻 [120] => , [121] => 披 [122] => 香 [123] => 帘 [124] => 卷 [125] => , [126] => 月 [127] => 明 [128] => 风 [129] => 细 [130] => 。 [131] => < [132] => / [133] => p [134] => > ) Array ( [0] => 醉 [1] => 蓬 [2] => 莱 [3] => · [4] => 渐 [5] => 亭 [6] => 皋 [7] => 叶 [8] => 下 ) 醉蓬莱·渐亭皋叶下-柳永宋代-橙子学习网

《醉蓬莱·渐亭皋叶下》拼音版

宋代柳永

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柳永简介

宋代·柳永的简介

柳永

柳永,(约987年—约1053年)北宋著名词人,婉约派代表人物。汉族,崇安(今福建武夷山)人,原名三变,字景庄,后改名永,字耆卿,排行第七,又称柳七。宋仁宗朝进士,官至屯田员外郎,故世称柳屯田。他自称“奉旨填词柳三变”,以毕生精力作词,并以“白衣卿相”自诩。其词多描绘城市风光和歌妓生活,尤长于抒写羁旅行役之情,创作慢词独多。铺叙刻画,情景交融,语言通俗,音律谐婉,在当时流传极其广泛,人称“凡有井水饮处,皆能歌柳词”,婉约派最具代表性的人物之一,对宋词的发展有重大影响,代表作 《雨霖铃》《八声甘州》。

...〔► 柳永的诗(182篇)