Array ( [0] => < [1] => p [2] => > [3] => 香 [4] => 靥 [5] => 深 [6] => 深 [7] => , [8] => 姿 [9] => 姿 [10] => 媚 [11] => 媚 [12] => , [13] => 雅 [14] => 格 [15] => 奇 [16] => 容 [17] => 天 [18] => 与 [19] => 。 [20] => 自 [21] => 识 [22] => 伊 [23] => 来 [24] => , [25] => 便 [26] => 好 [27] => 看 [28] => 承 [29] => , [30] => 会 [31] => 得 [32] => 妖 [33] => 娆 [34] => 心 [35] => 素 [36] => 。 [37] => 临 [38] => 歧 [39] => 再 [40] => 约 [41] => 同 [42] => 欢 [43] => , [44] => 定 [45] => 是 [46] => 都 [47] => 把 [48] => 、 [49] => 平 [50] => 生 [51] => 相 [52] => 许 [53] => 。 [54] => 又 [55] => 恐 [56] => 恩 [57] => 情 [58] => , [59] => 易 [60] => 破 [61] => 难 [62] => 成 [63] => , [64] => 未 [65] => 免 [66] => 千 [67] => 般 [68] => 思 [69] => 虑 [70] => 。 [71] => < [72] => / [73] => p [74] => > [75] => < [76] => p [77] => > [78] => 近 [79] => 日 [80] => 书 [81] => 来 [82] => , [83] => 寒 [84] => 暄 [85] => 而 [86] => 已 [87] => , [88] => 苦 [89] => 没 [90] => 忉 [91] => 忉 [92] => 言 [93] => 语 [94] => 。 [95] => 便 [96] => 认 [97] => 得 [98] => 、 [99] => 听 [100] => 人 [101] => 教 [102] => 当 [103] => , [104] => 拟 [105] => 把 [106] => 前 [107] => 言 [108] => 轻 [109] => 负 [110] => 。 [111] => 见 [112] => 说 [113] => 兰 [114] => 台 [115] => 宋 [116] => 玉 [117] => , [118] => 多 [119] => 才 [120] => 多 [121] => 艺 [122] => 善 [123] => 词 [124] => 赋 [125] => 。 [126] => 试 [127] => 与 [128] => 问 [129] => 、 [130] => 朝 [131] => 朝 [132] => 暮 [133] => 暮 [134] => 。 [135] => 行 [136] => 云 [137] => 何 [138] => 处 [139] => 去 [140] => 。 [141] => < [142] => / [143] => p [144] => > ) Array ( [0] => 击 [1] => 梧 [2] => 桐 [3] => · [4] => 香 [5] => 靥 [6] => 深 [7] => 深 ) 击梧桐·香靥深深-柳永宋代-橙子学习网

《击梧桐·香靥深深》拼音版

宋代柳永

jiwutong··xiangyeshenshen

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柳永简介

宋代·柳永的简介

柳永

柳永,(约987年—约1053年)北宋著名词人,婉约派代表人物。汉族,崇安(今福建武夷山)人,原名三变,字景庄,后改名永,字耆卿,排行第七,又称柳七。宋仁宗朝进士,官至屯田员外郎,故世称柳屯田。他自称“奉旨填词柳三变”,以毕生精力作词,并以“白衣卿相”自诩。其词多描绘城市风光和歌妓生活,尤长于抒写羁旅行役之情,创作慢词独多。铺叙刻画,情景交融,语言通俗,音律谐婉,在当时流传极其广泛,人称“凡有井水饮处,皆能歌柳词”,婉约派最具代表性的人物之一,对宋词的发展有重大影响,代表作 《雨霖铃》《八声甘州》。

...〔► 柳永的诗(182篇)