Array ( [0] => < [1] => p [2] => > [3] => 哀 [4] => 筝 [5] => 一 [6] => 弄 [7] => 湘 [8] => 江 [9] => 曲 [10] => , [11] => 声 [12] => 声 [13] => 写 [14] => 尽 [15] => 湘 [16] => 波 [17] => 绿 [18] => 。 [19] => 纤 [20] => 指 [21] => 十 [22] => 三 [23] => 弦 [24] => , [25] => 细 [26] => 将 [27] => 幽 [28] => 恨 [29] => 传 [30] => 。 [31] => < [32] => / [33] => p [34] => > [35] => < [36] => p [37] => > [38] => 当 [39] => 筵 [40] => 秋 [41] => 水 [42] => 慢 [43] => , [44] => 玉 [45] => 柱 [46] => 斜 [47] => 飞 [48] => 雁 [49] => 。 [50] => 弹 [51] => 到 [52] => 断 [53] => 肠 [54] => 时 [55] => , [56] => 春 [57] => 山 [58] => 眉 [59] => 黛 [60] => 低 [61] => 。 [62] => < [63] => / [64] => p [65] => > ) Array ( [0] => 菩 [1] => 萨 [2] => 蛮 [3] => · [4] => 哀 [5] => 筝 [6] => 一 [7] => 弄 [8] => 湘 [9] => 江 [10] => 曲 ) 菩萨蛮·哀筝一弄湘江曲-晏几道宋代-橙子学习网

《菩萨蛮·哀筝一弄湘江曲》拼音版

宋代晏几道

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晏几道简介

宋代·晏几道的简介

晏几道

晏几道(1030-1106,一说1038—1110 ,一说1038-1112),男,汉族,字叔原,号小山,著名词人,抚州临川文港沙河(今属江西省南昌市进贤县)人。晏殊第七子。历任颍昌府许田镇监、乾宁军通判、开封府判官等。性孤傲,晚年家境中落。词风哀感缠绵、清壮顿挫。一般讲到北宋词人时,称晏殊为大晏,称晏几道为小晏。《雪浪斋日记》云:“晏叔原工小词,不愧六朝宫掖体。”如《鹧鸪天》中的“舞低杨柳楼心月,歌尽桃花扇底风”等等词句,备受人们的赞赏。

...〔► 晏几道的诗(21篇)