Array ( [0] => < [1] => p [2] => > [3] => 惊 [4] => 晓 [5] => 漏 [6] => , [7] => 护 [8] => 春 [9] => 眠 [10] => 。 [11] => 格 [12] => 外 [13] => 娇 [14] => 慵 [15] => 只 [16] => 自 [17] => 怜 [18] => 。 [19] => < [20] => / [21] => p [22] => > [23] => < [24] => p [25] => > [26] => 寄 [27] => 语 [28] => 酿 [29] => 花 [30] => 风 [31] => 日 [32] => 好 [33] => , [34] => 绿 [35] => 窗 [36] => 来 [37] => 与 [38] => 上 [39] => 琴 [40] => 弦 [41] => 。 [42] => < [43] => / [44] => p [45] => > ) Array ( [0] => 赤 [1] => 枣 [2] => 子 [3] => · [4] => 寄 [5] => 语 [6] => 酿 [7] => 花 [8] => 风 [9] => 日 [10] => 好 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕