Array ( [0] => < [1] => p [2] => > [3] => 平 [4] => 原 [5] => 草 [6] => 枯 [7] => 矣 [8] => , [9] => 重 [10] => 阳 [11] => 后 [12] => 、 [13] => 黄 [14] => 叶 [15] => 树 [16] => 骚 [17] => 骚 [18] => 。 [19] => 记 [20] => 玉 [21] => 勒 [22] => 青 [23] => 丝 [24] => , [25] => 落 [26] => 花 [27] => 时 [28] => 节 [29] => , [30] => 曾 [31] => 逢 [32] => 拾 [33] => 翠 [34] => , [35] => 忽 [36] => 听 [37] => 吹 [38] => 箫 [39] => 。 [40] => 今 [41] => 来 [42] => 是 [43] => 、 [44] => 烧 [45] => 痕 [46] => 残 [47] => 碧 [48] => 尽 [49] => , [50] => 霜 [51] => 影 [52] => 乱 [53] => 红 [54] => 凋 [55] => 。 [56] => 秋 [57] => 水 [58] => 映 [59] => 空 [60] => , [61] => 寒 [62] => 烟 [63] => 如 [64] => 织 [65] => , [66] => 皂 [67] => 雕 [68] => 飞 [69] => 处 [70] => , [71] => 天 [72] => 惨 [73] => 云 [74] => 高 [75] => 。 [76] => < [77] => / [78] => p [79] => > [80] => < [81] => p [82] => > [83] => 人 [84] => 生 [85] => 须 [86] => 行 [87] => 乐 [88] => , [89] => 君 [90] => 知 [91] => 否 [92] => ? [93] => 容 [94] => 易 [95] => 两 [96] => 鬓 [97] => 萧 [98] => 萧 [99] => 。 [100] => 自 [101] => 与 [102] => 东 [103] => 君 [104] => 作 [105] => 别 [106] => , [107] => 刬 [108] => 地 [109] => 无 [110] => 聊 [111] => 。 [112] => 算 [113] => 功 [114] => 名 [115] => 何 [116] => 许 [117] => , [118] => 此 [119] => 身 [120] => 博 [121] => 得 [122] => , [123] => 短 [124] => 衣 [125] => 射 [126] => 虎 [127] => , [128] => 沽 [129] => 酒 [130] => 西 [131] => 郊 [132] => 。 [133] => 便 [134] => 向 [135] => 夕 [136] => 阳 [137] => 影 [138] => 里 [139] => , [140] => 倚 [141] => 马 [142] => 挥 [143] => 毫 [144] => 。 [145] => < [146] => / [147] => p [148] => > ) Array ( [0] => 风 [1] => 流 [2] => 子 [3] => · [4] => 秋 [5] => 郊 [6] => 即 [7] => 事 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕