Array ( [0] => < [1] => p [2] => > [3] => 古 [4] => 戍 [5] => 饥 [6] => 乌 [7] => 集 [8] => , [9] => 荒 [10] => 城 [11] => 野 [12] => 雉 [13] => 飞 [14] => 。 [15] => 何 [16] => 年 [17] => 劫 [18] => 火 [19] => 剩 [20] => 残 [21] => 灰 [22] => , [23] => 试 [24] => 看 [25] => 英 [26] => 雄 [27] => 碧 [28] => 血 [29] => , [30] => 满 [31] => 龙 [32] => 堆 [33] => 。 [34] => < [35] => / [36] => p [37] => > [38] => < [39] => p [40] => > [41] => 玉 [42] => 帐 [43] => 空 [44] => 分 [45] => 垒 [46] => , [47] => 金 [48] => 笳 [49] => 己 [50] => 罢 [51] => 吹 [52] => 。 [53] => 东 [54] => 风 [55] => 回 [56] => 首 [57] => 尽 [58] => 成 [59] => 非 [60] => , [61] => 不 [62] => 道 [63] => 兴 [64] => 亡 [65] => 命 [66] => 也 [67] => , [68] => 岂 [69] => 人 [70] => 为 [71] => 。 [72] => < [73] => / [74] => p [75] => > ) Array ( [0] => 南 [1] => 歌 [2] => 子 [3] => · [4] => 古 [5] => 戍 [6] => 饥 [7] => 乌 [8] => 集 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕