Array ( [0] => < [1] => p [2] => > [3] => 轻 [4] => 烟 [5] => 雨 [6] => 小 [7] => , [8] => 望 [9] => 里 [10] => 青 [11] => 难 [12] => 了 [13] => 。 [14] => 一 [15] => 缕 [16] => 断 [17] => 虹 [18] => 垂 [19] => 树 [20] => 杪 [21] => , [22] => 又 [23] => 是 [24] => 乱 [25] => 山 [26] => 残 [27] => 照 [28] => 。 [29] => < [30] => / [31] => p [32] => > [33] => < [34] => p [35] => > [36] => 凭 [37] => 高 [38] => 目 [39] => 断 [40] => 征 [41] => 途 [42] => , [43] => 暮 [44] => 云 [45] => 千 [46] => 里 [47] => 平 [48] => 芜 [49] => 。 [50] => 日 [51] => 夜 [52] => 河 [53] => 流 [54] => 东 [55] => 下 [56] => , [57] => 锦 [58] => 书 [59] => 应 [60] => 托 [61] => 双 [62] => 鱼 [63] => 。 [64] => < [65] => / [66] => p [67] => > ) Array ( [0] => 清 [1] => 平 [2] => 乐 [3] => · [4] => 烟 [5] => 轻 [6] => 雨 [7] => 小 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕