Array ( [0] => < [1] => p [2] => > [3] => 一 [4] => 帽 [5] => 征 [6] => 尘 [7] => , [8] => 留 [9] => 君 [10] => 不 [11] => 住 [12] => 从 [13] => 君 [14] => 去 [15] => 。 [16] => 片 [17] => 帆 [18] => 何 [19] => 处 [20] => , [21] => 南 [22] => 浦 [23] => 沈 [24] => 香 [25] => 雨 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 回 [35] => 首 [36] => 风 [37] => 流 [38] => , [39] => 紫 [40] => 竹 [41] => 村 [42] => 边 [43] => 住 [44] => 。 [45] => 孤 [46] => 鸿 [47] => 语 [48] => , [49] => 三 [50] => 生 [51] => 定 [52] => 许 [53] => , [54] => 可 [55] => 梁 [56] => 鸿 [57] => 侣 [58] => ? [59] => < [60] => / [61] => p [62] => > ) Array ( [0] => 点 [1] => 绛 [2] => 唇 [3] => · [4] => 寄 [5] => 南 [6] => 海 [7] => 梁 [8] => 药 [9] => 亭 ) 点绛唇·寄南海梁药亭-纳兰性德清代-橙子学习网

《点绛唇·寄南海梁药亭》拼音版

清代纳兰性德

dianjiangchun··jinanhailiangyaoting

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纳兰性德简介

清代·纳兰性德的简介

纳兰性德

纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。

...〔► 纳兰性德的诗(223篇)