Array ( [0] => < [1] => p [2] => > [3] => 无 [4] => 情 [5] => 野 [6] => 火 [7] => , [8] => 趁 [9] => 西 [10] => 风 [11] => 烧 [12] => 遍 [13] => 、 [14] => 天 [15] => 涯 [16] => 芳 [17] => 草 [18] => 。 [19] => 榆 [20] => 塞 [21] => 重 [22] => 来 [23] => 冰 [24] => 雪 [25] => 里 [26] => , [27] => 冷 [28] => 入 [29] => 鬓 [30] => 丝 [31] => 吹 [32] => 老 [33] => 。 [34] => 牧 [35] => 马 [36] => 长 [37] => 嘶 [38] => , [39] => 征 [40] => 笳 [41] => 乱 [42] => 动 [43] => , [44] => 并 [45] => 入 [46] => 愁 [47] => 怀 [48] => 抱 [49] => 。 [50] => 定 [51] => 知 [52] => 今 [53] => 夕 [54] => , [55] => 庾 [56] => 郎 [57] => 瘦 [58] => 损 [59] => 多 [60] => 少 [61] => 。 [62] => < [63] => / [64] => p [65] => > [66] => < [67] => p [68] => > [69] => 便 [70] => 是 [71] => 脑 [72] => 满 [73] => 肠 [74] => 肥 [75] => , [76] => 尚 [77] => 难 [78] => 消 [79] => 受 [80] => , [81] => 此 [82] => 荒 [83] => 烟 [84] => 落 [85] => 照 [86] => 。 [87] => 何 [88] => 况 [89] => 文 [90] => 园 [91] => 憔 [92] => 悴 [93] => 后 [94] => , [95] => 非 [96] => 复 [97] => 酒 [98] => 垆 [99] => 风 [100] => 调 [101] => 。 [102] => 回 [103] => 乐 [104] => 峰 [105] => 寒 [106] => , [107] => 受 [108] => 降 [109] => 城 [110] => 远 [111] => , [112] => 梦 [113] => 向 [114] => 家 [115] => 山 [116] => 绕 [117] => 。 [118] => 茫 [119] => 茫 [120] => 百 [121] => 感 [122] => , [123] => 凭 [124] => 高 [125] => 唯 [126] => 有 [127] => 清 [128] => 啸 [129] => 。 [130] => < [131] => / [132] => p [133] => > ) Array ( [0] => 百 [1] => 字 [2] => 令 [3] => · [4] => 宿 [5] => 汉 [6] => 儿 [7] => 村 ) 百字令·宿汉儿村-纳兰性德清代-橙子学习网

《百字令·宿汉儿村》拼音版

清代纳兰性德

baiziling··宿suhanercun

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纳兰性德简介

清代·纳兰性德的简介

纳兰性德

纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。

...〔► 纳兰性德的诗(223篇)