Array ( [0] => < [1] => p [2] => > [3] => 黄 [4] => 昏 [5] => 又 [6] => 听 [7] => 城 [8] => 头 [9] => 角 [10] => , [11] => 病 [12] => 起 [13] => 心 [14] => 情 [15] => 恶 [16] => 。 [17] => 药 [18] => 炉 [19] => 初 [20] => 沸 [21] => 短 [22] => 檠 [23] => 青 [24] => , [25] => 无 [26] => 那 [27] => 残 [28] => 香 [29] => 半 [30] => 缕 [31] => 恼 [32] => 多 [33] => 情 [34] => 。 [35] => < [36] => / [37] => p [38] => > [39] => < [40] => p [41] => > [42] => 多 [43] => 情 [44] => 自 [45] => 古 [46] => 原 [47] => 多 [48] => 病 [49] => , [50] => 清 [51] => 镜 [52] => 怜 [53] => 清 [54] => 影 [55] => 。 [56] => 一 [57] => 声 [58] => 弹 [59] => 指 [60] => 泪 [61] => 如 [62] => 丝 [63] => , [64] => 央 [65] => 及 [66] => 东 [67] => 风 [68] => 休 [69] => 遣 [70] => 玉 [71] => 人 [72] => 知 [73] => 。 [74] => < [75] => / [76] => p [77] => > ) Array ( [0] => 虞 [1] => 美 [2] => 人 [3] => · [4] => 黄 [5] => 昏 [6] => 又 [7] => 听 [8] => 城 [9] => 头 [10] => 角 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕