Array ( [0] => < [1] => p [2] => > [3] => 闷 [4] => 自 [5] => 剔 [6] => 残 [7] => 灯 [8] => , [9] => 暗 [10] => 雨 [11] => 空 [12] => 庭 [13] => 。 [14] => 潇 [15] => 潇 [16] => 已 [17] => 是 [18] => 不 [19] => 堪 [20] => 听 [21] => , [22] => 那 [23] => 更 [24] => 西 [25] => 风 [26] => 偏 [27] => 著 [28] => 意 [29] => , [30] => 做 [31] => 尽 [32] => 秋 [33] => 声 [34] => 。 [35] => < [36] => / [37] => p [38] => > [39] => < [40] => p [41] => > [42] => 城 [43] => 柝 [44] => 已 [45] => 三 [46] => 更 [47] => , [48] => 欲 [49] => 睡 [50] => 还 [51] => 醒 [52] => 。 [53] => 薄 [54] => 寒 [55] => 中 [56] => 夜 [57] => 掩 [58] => 银 [59] => 屏 [60] => , [61] => 曾 [62] => 染 [63] => 戒 [64] => 香 [65] => 消 [66] => 俗 [67] => 念 [68] => , [69] => 莫 [70] => 又 [71] => 多 [72] => 情 [73] => 。 [74] => < [75] => / [76] => p [77] => > ) Array ( [0] => 浪 [1] => 淘 [2] => 沙 [3] => · [4] => 闷 [5] => 自 [6] => 剔 [7] => 残 [8] => 灯 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕