Array ( [0] => < [1] => p [2] => > [3] => 谁 [4] => 复 [5] => 留 [6] => 君 [7] => 住 [8] => 。 [9] => 叹 [10] => 人 [11] => 生 [12] => 、 [13] => 几 [14] => 翻 [15] => 离 [16] => 合 [17] => , [18] => 便 [19] => 成 [20] => 迟 [21] => 暮 [22] => 。 [23] => 最 [24] => 忆 [25] => 西 [26] => 窗 [27] => 同 [28] => 剪 [29] => 烛 [30] => , [31] => 却 [32] => 话 [33] => 家 [34] => 山 [35] => 夜 [36] => 雨 [37] => 。 [38] => 不 [39] => 道 [40] => 只 [41] => 、 [42] => 暂 [43] => 时 [44] => 相 [45] => 聚 [46] => 。 [47] => 衮 [48] => 衮 [49] => 长 [50] => 江 [51] => 萧 [52] => 萧 [53] => 木 [54] => , [55] => 送 [56] => 遥 [57] => 天 [58] => 、 [59] => 白 [60] => 雁 [61] => 哀 [62] => 鸣 [63] => 去 [64] => 。 [65] => 黄 [66] => 叶 [67] => 下 [68] => , [69] => 秋 [70] => 如 [71] => 许 [72] => 。 [73] => < [74] => / [75] => p [76] => > [77] => < [78] => p [79] => > [80] => 曰 [81] => 归 [82] => 因 [83] => 甚 [84] => 添 [85] => 愁 [86] => 绪 [87] => 。 [88] => 料 [89] => 强 [90] => 似 [91] => 、 [92] => 冷 [93] => 烟 [94] => 寒 [95] => 月 [96] => , [97] => 栖 [98] => 迟 [99] => 梵 [100] => 宇 [101] => 。 [102] => 一 [103] => 事 [104] => 伤 [105] => 心 [106] => 君 [107] => 落 [108] => 魄 [109] => , [110] => 两 [111] => 鬓 [112] => 飘 [113] => 萧 [114] => 未 [115] => 遇 [116] => 。 [117] => 有 [118] => 解 [119] => 忆 [120] => 、 [121] => 长 [122] => 安 [123] => 儿 [124] => 女 [125] => 。 [126] => 裘 [127] => 敝 [128] => 入 [129] => 门 [130] => 空 [131] => 太 [132] => 息 [133] => , [134] => 信 [135] => 古 [136] => 来 [137] => 、 [138] => 才 [139] => 命 [140] => 真 [141] => 相 [142] => 负 [143] => 。 [144] => 身 [145] => 世 [146] => 恨 [147] => , [148] => 共 [149] => 谁 [150] => 语 [151] => ? [152] => < [153] => / [154] => p [155] => > ) Array ( [0] => 金 [1] => 缕 [2] => 曲 [3] => · [4] => 姜 [5] => 西 [6] => 溟 [7] => 言 [8] => 别 [9] => 赋 [10] => 此 [11] => 赠 [12] => 之 ) 金缕曲·姜西溟言别赋此赠之-纳兰性德清代-橙子学习网

《金缕曲·姜西溟言别赋此赠之》拼音版

清代纳兰性德

jinlvqu··jiang西ximingyanbiefucizengzhi

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纳兰性德简介

清代·纳兰性德的简介

纳兰性德

纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。

...〔► 纳兰性德的诗(223篇)