Array ( [0] => < [1] => p [2] => > [3] => 泜 [4] => 水 [5] => 清 [6] => 且 [7] => 浅 [8] => , [9] => 沙 [10] => 砾 [11] => 明 [12] => 可 [13] => 数 [14] => 。 [15] => < [16] => / [17] => p [18] => > [19] => < [20] => p [21] => > [22] => 漾 [23] => 漾 [24] => 浮 [25] => 轻 [26] => 波 [27] => , [28] => 悠 [29] => 悠 [30] => 汇 [31] => 远 [32] => 浦 [33] => 。 [34] => < [35] => / [36] => p [37] => > [38] => < [39] => p [40] => > [41] => 千 [42] => 山 [43] => 倒 [44] => 空 [45] => 青 [46] => , [47] => 乱 [48] => 石 [49] => 兀 [50] => 崖 [51] => 堵 [52] => 。 [53] => < [54] => / [55] => p [56] => > [57] => < [58] => p [59] => > [60] => 我 [61] => 来 [62] => 恣 [63] => 游 [64] => 泳 [65] => , [66] => 浩 [67] => 歌 [68] => 怀 [69] => 往 [70] => 古 [71] => 。 [72] => < [73] => / [74] => p [75] => > [76] => < [77] => p [78] => > [79] => 逼 [80] => 侧 [81] => 井 [82] => 陉 [83] => 道 [84] => , [85] => 卒 [86] => 列 [87] => 不 [88] => 成 [89] => 伍 [90] => 。 [91] => < [92] => / [93] => p [94] => > [95] => < [96] => p [97] => > [98] => 背 [99] => 水 [100] => 造 [101] => 奇 [102] => 谋 [103] => , [104] => 赤 [105] => 帜 [106] => 立 [107] => 赵 [108] => 土 [109] => 。 [110] => < [111] => / [112] => p [113] => > [114] => < [115] => p [116] => > [117] => 韩 [118] => 信 [119] => 购 [120] => 左 [121] => 车 [122] => , [123] => 张 [124] => 耳 [125] => 陋 [126] => 肺 [127] => 腑 [128] => 。 [129] => < [130] => / [131] => p [132] => > [133] => < [134] => p [135] => > [136] => 何 [137] => 不 [138] => 赦 [139] => 陈 [140] => 馀 [141] => , [142] => 与 [143] => 之 [144] => 归 [145] => 汉 [146] => 主 [147] => ? [148] => < [149] => / [150] => p [151] => > ) Array ( [0] => 泜 [1] => 水 )
清代·郑燮的简介
郑板桥(1693—1765)清代官吏、书画家、文学家。名燮,字克柔,汉族,江苏兴化人。一生主要客居扬州,以卖画为生。“扬州八怪”之一。其诗、书、画均旷世独立,,世称“三绝”,擅画兰、竹、石、松、菊等植物,其中画竹已五十余年,成就最为突出。著有《板桥全集》。康熙秀才、雍正举人、乾隆元年进士。中进士后曾历官河南范县、山东潍县知县,有惠政。以请臻饥民忤大吏,乞疾归。
...〔► 郑燮的诗(18篇)〕