Array ( [0] => < [1] => p [2] => > [3] => 长 [4] => 空 [5] => 降 [6] => 瑞 [7] => , [8] => 寒 [9] => 风 [10] => 翦 [11] => , [12] => 淅 [13] => 淅 [14] => 瑶 [15] => 花 [16] => 初 [17] => 下 [18] => 。 [19] => 乱 [20] => 飘 [21] => 僧 [22] => 舍 [23] => , [24] => 密 [25] => 洒 [26] => 歌 [27] => 楼 [28] => , [29] => 迤 [30] => 逦 [31] => 渐 [32] => 迷 [33] => 鸳 [34] => 瓦 [35] => 。 [36] => 好 [37] => 是 [38] => 渔 [39] => 人 [40] => , [41] => 披 [42] => 得 [43] => 一 [44] => 蓑 [45] => 归 [46] => 去 [47] => , [48] => 江 [49] => 上 [50] => 晚 [51] => 来 [52] => 堪 [53] => 画 [54] => 。 [55] => 满 [56] => 长 [57] => 安 [58] => , [59] => 高 [60] => 却 [61] => 旗 [62] => 亭 [63] => 酒 [64] => 价 [65] => 。 [66] => < [67] => / [68] => p [69] => > [70] => < [71] => p [72] => > [73] => 幽 [74] => 雅 [75] => 。 [76] => 乘 [77] => 兴 [78] => 最 [79] => 宜 [80] => 访 [81] => 戴 [82] => , [83] => 泛 [84] => 小 [85] => 棹 [86] => 、 [87] => 越 [88] => 溪 [89] => 潇 [90] => 洒 [91] => 。 [92] => 皓 [93] => 鹤 [94] => 夺 [95] => 鲜 [96] => , [97] => 白 [98] => 鹇 [99] => 失 [100] => 素 [101] => , [102] => 千 [103] => 里 [104] => 广 [105] => 铺 [106] => 寒 [107] => 野 [108] => 。 [109] => 须 [110] => 信 [111] => 幽 [112] => 兰 [113] => 歌 [114] => 断 [115] => , [116] => 彤 [117] => 云 [118] => 收 [119] => 尽 [120] => , [121] => 别 [122] => 有 [123] => 瑶 [124] => 台 [125] => 琼 [126] => 榭 [127] => 。 [128] => 放 [129] => 一 [130] => 轮 [131] => 明 [132] => 月 [133] => , [134] => 交 [135] => 光 [136] => 清 [137] => 夜 [138] => 。 [139] => < [140] => / [141] => p [142] => > ) Array ( [0] => 望 [1] => 远 [2] => 行 [3] => ( [4] => 仙 [5] => 吕 [6] => 调 [7] => ) ) 望远行(仙吕调)-柳永宋代-橙子学习网

《望远行(仙吕调)》拼音版

宋代柳永

wangyuanxingxianlvdiao

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柳永简介

宋代·柳永的简介

柳永

柳永,(约987年—约1053年)北宋著名词人,婉约派代表人物。汉族,崇安(今福建武夷山)人,原名三变,字景庄,后改名永,字耆卿,排行第七,又称柳七。宋仁宗朝进士,官至屯田员外郎,故世称柳屯田。他自称“奉旨填词柳三变”,以毕生精力作词,并以“白衣卿相”自诩。其词多描绘城市风光和歌妓生活,尤长于抒写羁旅行役之情,创作慢词独多。铺叙刻画,情景交融,语言通俗,音律谐婉,在当时流传极其广泛,人称“凡有井水饮处,皆能歌柳词”,婉约派最具代表性的人物之一,对宋词的发展有重大影响,代表作 《雨霖铃》《八声甘州》。

...〔► 柳永的诗(182篇)