Array ( [0] => < [1] => p [2] => > [3] => 阑 [4] => 珊 [5] => 火 [6] => 树 [7] => 鱼 [8] => 龙 [9] => 舞 [10] => , [11] => 望 [12] => 中 [13] => 宝 [14] => 钗 [15] => 楼 [16] => 远 [17] => 。 [18] => 鞣 [19] => 鞠 [20] => 余 [21] => 红 [22] => , [23] => 琉 [24] => 璃 [25] => 剩 [26] => 碧 [27] => , [28] => 待 [29] => 属 [30] => 花 [31] => 归 [32] => 缓 [33] => 缓 [34] => 。 [35] => 寒 [36] => 轻 [37] => 漏 [38] => 浅 [39] => 。 [40] => 正 [41] => 乍 [42] => 敛 [43] => 烟 [44] => 霏 [45] => , [46] => 陨 [47] => 星 [48] => 如 [49] => 箭 [50] => 。 [51] => 旧 [52] => 事 [53] => 惊 [54] => 心 [55] => , [56] => 一 [57] => 双 [58] => 莲 [59] => 影 [60] => 藕 [61] => 丝 [62] => 断 [63] => 。 [64] => < [65] => / [66] => p [67] => > [68] => < [69] => p [70] => > [71] => 莫 [72] => 恨 [73] => 流 [74] => 年 [75] => 似 [76] => 水 [77] => , [78] => 恨 [79] => 消 [80] => 残 [81] => 蝶 [82] => 粉 [83] => , [84] => 韶 [85] => 光 [86] => 忒 [87] => 浅 [88] => 。 [89] => 细 [90] => 语 [91] => 吹 [92] => 香 [93] => , [94] => 暗 [95] => 尘 [96] => 笼 [97] => 撰 [98] => , [99] => 都 [100] => 逐 [101] => 晓 [102] => 风 [103] => 零 [104] => 乱 [105] => 。 [106] => 阑 [107] => 干 [108] => 敲 [109] => 遍 [110] => 。 [111] => 问 [112] => 帘 [113] => 底 [114] => 纤 [115] => 纤 [116] => , [117] => 甚 [118] => 时 [119] => 重 [120] => 见 [121] => ? [122] => 不 [123] => 解 [124] => 相 [125] => 思 [126] => , [127] => 月 [128] => 华 [129] => 今 [130] => 夜 [131] => 满 [132] => 。 [133] => < [134] => / [135] => p [136] => > ) Array ( [0] => 齐 [1] => 天 [2] => 乐 [3] => · [4] => 上 [5] => 元 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕