Array ( [0] => < [1] => p [2] => > [3] => 消 [4] => 息 [5] => 谁 [6] => 传 [7] => 到 [8] => 拒 [9] => 霜 [10] => ? [11] => 两 [12] => 行 [13] => 斜 [14] => 雁 [15] => 碧 [16] => 天 [17] => 长 [18] => , [19] => 晚 [20] => 秋 [21] => 风 [22] => 景 [23] => 倍 [24] => 凄 [25] => 凉 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 银 [35] => 蒜 [36] => 押 [37] => 帘 [38] => 人 [39] => 寂 [40] => 寂 [41] => , [42] => 玉 [43] => 钗 [44] => 敲 [45] => 烛 [46] => 信 [47] => 茫 [48] => 茫 [49] => 。 [50] => 黄 [51] => 花 [52] => 开 [53] => 也 [54] => 近 [55] => 重 [56] => 阳 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 浣 [1] => 溪 [2] => 沙 [3] => · [4] => 消 [5] => 息 [6] => 谁 [7] => 传 [8] => 到 [9] => 拒 [10] => 霜 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕