Array ( [0] => < [1] => p [2] => > [3] => 湘 [4] => 帘 [5] => 卷 [6] => 处 [7] => , [8] => 甚 [9] => 离 [10] => 披 [11] => 翠 [12] => 影 [13] => , [14] => 绕 [15] => 檐 [16] => 遮 [17] => 住 [18] => 。 [19] => 小 [20] => 立 [21] => 吹 [22] => 裙 [23] => , [24] => 常 [25] => 伴 [26] => 春 [27] => 慵 [28] => , [29] => 掩 [30] => 映 [31] => 绣 [32] => 床 [33] => 金 [34] => 缕 [35] => 。 [36] => 芳 [37] => 心 [38] => 一 [39] => 束 [40] => 浑 [41] => 难 [42] => 展 [43] => , [44] => 清 [45] => 泪 [46] => 裹 [47] => 、 [48] => 隔 [49] => 年 [50] => 愁 [51] => 聚 [52] => 。 [53] => 更 [54] => 夜 [55] => 深 [56] => 、 [57] => 细 [58] => 听 [59] => 空 [60] => 阶 [61] => 雨 [62] => 滴 [63] => , [64] => 梦 [65] => 回 [66] => 无 [67] => 据 [68] => 。 [69] => < [70] => / [71] => p [72] => > [73] => < [74] => p [75] => > [76] => 正 [77] => 是 [78] => 秋 [79] => 来 [80] => 寂 [81] => 寞 [82] => , [83] => 偏 [84] => 声 [85] => 声 [86] => 点 [87] => 点 [88] => , [89] => 助 [90] => 人 [91] => 难 [92] => 绪 [93] => 。 [94] => 缬 [95] => 被 [96] => 初 [97] => 寒 [98] => , [99] => 宿 [100] => 酒 [101] => 全 [102] => 醒 [103] => , [104] => 搅 [105] => 碎 [106] => 乱 [107] => 蛩 [108] => 双 [109] => 杵 [110] => 。 [111] => 西 [112] => 风 [113] => 落 [114] => 尽 [115] => 庭 [116] => 梧 [117] => 叶 [118] => , [119] => 还 [120] => 剩 [121] => 得 [122] => 、 [123] => 绿 [124] => 阴 [125] => 如 [126] => 许 [127] => 。 [128] => 想 [129] => 玉 [130] => 人 [131] => 、 [132] => 和 [133] => 露 [134] => 折 [135] => 来 [136] => , [137] => 曾 [138] => 写 [139] => 断 [140] => 肠 [141] => 句 [142] => 。 [143] => < [144] => / [145] => p [146] => > ) Array ( [0] => 疏 [1] => 影 [2] => · [3] => 芭 [4] => 蕉 ) 疏影·芭蕉-纳兰性德清代-橙子学习网
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清代纳兰性德

shuying··bajiao

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纳兰性德简介

清代·纳兰性德的简介

纳兰性德

纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。

...〔► 纳兰性德的诗(223篇)