Array ( [0] => < [1] => p [2] => > [3] => 白 [4] => 狼 [5] => 河 [6] => 北 [7] => 秋 [8] => 偏 [9] => 早 [10] => , [11] => 星 [12] => 桥 [13] => 又 [14] => 迎 [15] => 河 [16] => 鼓 [17] => 。 [18] => 清 [19] => 漏 [20] => 频 [21] => 移 [22] => , [23] => 微 [24] => 云 [25] => 欲 [26] => 湿 [27] => , [28] => 正 [29] => 是 [30] => 金 [31] => 风 [32] => 玉 [33] => 露 [34] => 。 [35] => 两 [36] => 眉 [37] => 愁 [38] => 聚 [39] => 。 [40] => 待 [41] => 归 [42] => 踏 [43] => 榆 [44] => 花 [45] => , [46] => 那 [47] => 时 [48] => 才 [49] => 诉 [50] => 。 [51] => 只 [52] => 恐 [53] => 重 [54] => 逢 [55] => , [56] => 明 [57] => 明 [58] => 相 [59] => 视 [60] => 更 [61] => 无 [62] => 语 [63] => 。 [64] => < [65] => / [66] => p [67] => > [68] => < [69] => p [70] => > [71] => 人 [72] => 间 [73] => 别 [74] => 离 [75] => 无 [76] => 数 [77] => , [78] => 向 [79] => 瓜 [80] => 果 [81] => 筵 [82] => 前 [83] => , [84] => 碧 [85] => 天 [86] => 凝 [87] => 伫 [88] => , [89] => 连 [90] => 理 [91] => 千 [92] => 花 [93] => , [94] => 相 [95] => 思 [96] => 一 [97] => 叶 [98] => , [99] => 毕 [100] => 竟 [101] => 随 [102] => 风 [103] => 何 [104] => 处 [105] => 。 [106] => 羁 [107] => 栖 [108] => 良 [109] => 苦 [110] => , [111] => 算 [112] => 未 [113] => 抵 [114] => 空 [115] => 房 [116] => , [117] => 冷 [118] => 香 [119] => 啼 [120] => 曙 [121] => 。 [122] => 令 [123] => 夜 [124] => 天 [125] => 孙 [126] => , [127] => 笑 [128] => 人 [129] => 愁 [130] => 似 [131] => 许 [132] => 。 [133] => < [134] => / [135] => p [136] => > ) Array ( [0] => 台 [1] => 城 [2] => 路 [3] => · [4] => 白 [5] => 狼 [6] => 河 [7] => 北 [8] => 秋 [9] => 偏 [10] => 早 ) 台城路·白狼河北秋偏早-纳兰性德清代-橙子学习网

《台城路·白狼河北秋偏早》拼音版

清代纳兰性德

taichenglu··bailanghebeiqiupianzao

bailanghebeiqiupianzaoxingqiaoyouyingheguqingloupinyiweiyunyu湿shizhengshijinfengyululiangmeichoujudaiguitayuhuanashicaisuzhikongzhongfengmingmingxiangshigengwuyurenjianbieliwushuxiangguaguoyanqianbitianningzhulianliqianhuaxiangsiyiyebijingsuifenghechujiqiliangkusuanweidikongfanglengxiangtishulingyetiansunxiaorenchousixu

纳兰性德简介

清代·纳兰性德的简介

纳兰性德

纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。

...〔► 纳兰性德的诗(223篇)