Array ( [0] => < [1] => p [2] => > [3] => 一 [4] => 半 [5] => 残 [6] => 阳 [7] => 下 [8] => 小 [9] => 楼 [10] => , [11] => 朱 [12] => 帘 [13] => 斜 [14] => 控 [15] => 软 [16] => 金 [17] => 钩 [18] => 。 [19] => 倚 [20] => 阑 [21] => 无 [22] => 绪 [23] => 不 [24] => 能 [25] => 愁 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 有 [35] => 个 [36] => 盈 [37] => 盈 [38] => 骑 [39] => 马 [40] => 过 [41] => , [42] => 薄 [43] => 妆 [44] => 浅 [45] => 黛 [46] => 亦 [47] => 风 [48] => 流 [49] => 。 [50] => 见 [51] => 人 [52] => 羞 [53] => 涩 [54] => 却 [55] => 回 [56] => 头 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 浣 [1] => 溪 [2] => 沙 [3] => · [4] => 一 [5] => 半 [6] => 残 [7] => 阳 [8] => 下 [9] => 小 [10] => 楼 ) 浣溪沙·一半残阳下小楼-纳兰性德清代-橙子学习网

《浣溪沙·一半残阳下小楼》拼音版

清代纳兰性德

huanxisha··yibancanyangxiaxiaolou

yibancanyangxiaxiaolouzhulianxiekongruanjingouyilanwuxubunengchouyougeyingyingqimaguobaozhuangqiandaiyifengliujianrenxiusequehuitou

纳兰性德简介

清代·纳兰性德的简介

纳兰性德

纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。

...〔► 纳兰性德的诗(223篇)