Array ( [0] => < [1] => p [2] => > [3] => 白 [4] => 鸟 [5] => 朱 [6] => 荷 [7] => 引 [8] => 画 [9] => 桡 [10] => , [11] => 垂 [12] => 杨 [13] => 影 [14] => 里 [15] => 见 [16] => 红 [17] => 桥 [18] => , [19] => 欲 [20] => 寻 [21] => 往 [22] => 事 [23] => 已 [24] => 魂 [25] => 消 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 遥 [35] => 指 [36] => 平 [37] => 山 [38] => 山 [39] => 外 [40] => 路 [41] => , [42] => 断 [43] => 鸿 [44] => 无 [45] => 数 [46] => 水 [47] => 迢 [48] => 迢 [49] => , [50] => 新 [51] => 愁 [52] => 分 [53] => 付 [54] => 广 [55] => 陵 [56] => 潮 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 浣 [1] => 溪 [2] => 沙 [3] => · [4] => 红 [5] => 桥 )
清代·王士祯的简介
王士祯(1634—1711),原名王士禛,字子真、贻上,号阮亭,又号渔洋山人,人称王渔洋,谥文简。新城(今山东桓台县)人,常自称济南人,清初杰出诗人、学者、文学家。博学好古,能鉴别书、画、鼎彝之属,精金石篆刻,诗为一代宗匠,与朱彝尊并称。书法高秀似晋人。康熙时继钱谦益而主盟诗坛。论诗创神韵说。早年诗作清丽澄淡,中年以后转为苍劲。擅长各体,尤工七绝。但未能摆脱明七子摹古馀习,时人诮之为“清秀李于麟”,然传其衣钵者不少。好为笔记,有《池北偶谈》、《古夫于亭杂录》、《香祖笔记》等,然辨驳议论多错愕、失当。
...〔► 王士祯的诗(18篇)〕