Array ( [0] => < [1] => p [2] => > [3] => 海 [4] => 色 [5] => 残 [6] => 阳 [7] => 影 [8] => 断 [9] => 霓 [10] => , [11] => 寒 [12] => 涛 [13] => 日 [14] => 夜 [15] => 女 [16] => 郎 [17] => 祠 [18] => 。 [19] => 翠 [20] => 钿 [21] => 尘 [22] => 网 [23] => 上 [24] => 蛛 [25] => 丝 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 澄 [35] => 海 [36] => 楼 [37] => 高 [38] => 空 [39] => 极 [40] => 目 [41] => , [42] => 望 [43] => 夫 [44] => 石 [45] => 在 [46] => 且 [47] => 留 [48] => 题 [49] => 。 [50] => 六 [51] => 王 [52] => 如 [53] => 梦 [54] => 祖 [55] => 龙 [56] => 非 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 浣 [1] => 溪 [2] => 沙 [3] => · [4] => 姜 [5] => 女 [6] => 祠 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕