Array ( [0] => < [1] => p [2] => > [3] => 曲 [4] => 阑 [5] => 深 [6] => 处 [7] => 重 [8] => 相 [9] => 见 [10] => , [11] => 匀 [12] => 泪 [13] => 偎 [14] => 人 [15] => 颤 [16] => 。 [17] => 凄 [18] => 凉 [19] => 别 [20] => 后 [21] => 两 [22] => 应 [23] => 同 [24] => , [25] => 最 [26] => 是 [27] => 不 [28] => 胜 [29] => 清 [30] => 怨 [31] => 月 [32] => 明 [33] => 中 [34] => 。 [35] => < [36] => / [37] => p [38] => > [39] => < [40] => p [41] => > [42] => 半 [43] => 生 [44] => 已 [45] => 分 [46] => 孤 [47] => 眠 [48] => 过 [49] => , [50] => 山 [51] => 枕 [52] => 檀 [53] => 痕 [54] => 涴 [55] => 。 [56] => 忆 [57] => 来 [58] => 何 [59] => 事 [60] => 最 [61] => 销 [62] => 魂 [63] => , [64] => 第 [65] => 一 [66] => 折 [67] => 枝 [68] => 花 [69] => 样 [70] => 画 [71] => 罗 [72] => 裙 [73] => 。 [74] => < [75] => / [76] => p [77] => > ) Array ( [0] => 虞 [1] => 美 [2] => 人 [3] => · [4] => 曲 [5] => 阑 [6] => 深 [7] => 处 [8] => 重 [9] => 相 [10] => 见 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕