Array ( [0] => < [1] => p [2] => > [3] => 近 [4] => 来 [5] => 无 [6] => 限 [7] => 伤 [8] => 心 [9] => 事 [10] => , [11] => 谁 [12] => 与 [13] => 话 [14] => 长 [15] => 更 [16] => ? [17] => 从 [18] => 教 [19] => 分 [20] => 付 [21] => , [22] => 绿 [23] => 窗 [24] => 红 [25] => 泪 [26] => , [27] => 早 [28] => 雁 [29] => 初 [30] => 莺 [31] => 。 [32] => < [33] => / [34] => p [35] => > [36] => < [37] => p [38] => > [39] => 当 [40] => 时 [41] => 领 [42] => 略 [43] => , [44] => 而 [45] => 今 [46] => 断 [47] => 送 [48] => , [49] => 总 [50] => 负 [51] => 多 [52] => 情 [53] => 。 [54] => 忽 [55] => 疑 [56] => 君 [57] => 到 [58] => , [59] => 漆 [60] => 灯 [61] => 风 [62] => 飐 [63] => , [64] => 痴 [65] => 数 [66] => 春 [67] => 星 [68] => 。 [69] => < [70] => / [71] => p [72] => > ) Array ( [0] => 青 [1] => 衫 [2] => 湿 [3] => · [4] => 悼 [5] => 亡 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕