Array ( [0] => < [1] => p [2] => > [3] => 骚 [4] => 屑 [5] => 西 [6] => 风 [7] => 弄 [8] => 晚 [9] => 寒 [10] => , [11] => 翠 [12] => 袖 [13] => 倚 [14] => 阑 [15] => 干 [16] => 。 [17] => 霞 [18] => 绡 [19] => 裹 [20] => 处 [21] => , [22] => 樱 [23] => 唇 [24] => 微 [25] => 绽 [26] => , [27] => 靺 [28] => 鞨 [29] => 红 [30] => 殷 [31] => 。 [32] => < [33] => / [34] => p [35] => > [36] => < [37] => p [38] => > [39] => 故 [40] => 宫 [41] => 事 [42] => 往 [43] => 凭 [44] => 谁 [45] => 问 [46] => , [47] => 无 [48] => 恙 [49] => 是 [50] => 朱 [51] => 颜 [52] => 。 [53] => 玉 [54] => 墀 [55] => 争 [56] => 采 [57] => , [58] => 玉 [59] => 钗 [60] => 争 [61] => 插 [62] => , [63] => 至 [64] => 正 [65] => 年 [66] => 间 [67] => 。 [68] => < [69] => / [70] => p [71] => > ) Array ( [0] => 眼 [1] => 儿 [2] => 媚 [3] => · [4] => 咏 [5] => 红 [6] => 姑 [7] => 娘 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕