Array ( [0] => < [1] => p [2] => > [3] => 风 [4] => 紧 [5] => 雁 [6] => 行 [7] => 高 [8] => , [9] => 无 [10] => 边 [11] => 落 [12] => 木 [13] => 萧 [14] => 萧 [15] => 。 [16] => 楚 [17] => 天 [18] => 魂 [19] => 梦 [20] => 与 [21] => 香 [22] => 消 [23] => , [24] => 青 [25] => 山 [26] => 暮 [27] => 暮 [28] => 朝 [29] => 朝 [30] => 。 [31] => < [32] => / [33] => p [34] => > [35] => < [36] => p [37] => > [38] => 断 [39] => 续 [40] => 凉 [41] => 云 [42] => 来 [43] => 一 [44] => 缕 [45] => , [46] => 飘 [47] => 堕 [48] => 几 [49] => 丝 [50] => 灵 [51] => 雨 [52] => 。 [53] => 今 [54] => 夜 [55] => 冷 [56] => 红 [57] => 浦 [58] => 溆 [59] => , [60] => 鸳 [61] => 鸯 [62] => 栖 [63] => 向 [64] => 何 [65] => 处 [66] => ? [67] => < [68] => / [69] => p [70] => > ) Array ( [0] => 河 [1] => 渎 [2] => 神 [3] => · [4] => 风 [5] => 紧 [6] => 雁 [7] => 行 [8] => 高 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕