Array ( [0] => < [1] => p [2] => > [3] => 泪 [4] => 咽 [5] => 却 [6] => 无 [7] => 声 [8] => , [9] => 只 [10] => 向 [11] => 从 [12] => 前 [13] => 悔 [14] => 薄 [15] => 情 [16] => 。 [17] => 凭 [18] => 仗 [19] => 丹 [20] => 青 [21] => 重 [22] => 省 [23] => 识 [24] => , [25] => 盈 [26] => 盈 [27] => , [28] => 一 [29] => 片 [30] => 伤 [31] => 心 [32] => 画 [33] => 不 [34] => 成 [35] => 。 [36] => < [37] => / [38] => p [39] => > [40] => < [41] => p [42] => > [43] => 别 [44] => 语 [45] => 忒 [46] => 分 [47] => 明 [48] => , [49] => 午 [50] => 夜 [51] => 鹣 [52] => 鹣 [53] => 梦 [54] => 早 [55] => 醒 [56] => 。 [57] => 卿 [58] => 自 [59] => 早 [60] => 醒 [61] => 侬 [62] => 自 [63] => 梦 [64] => , [65] => 更 [66] => 更 [67] => , [68] => 泣 [69] => 尽 [70] => 风 [71] => 檐 [72] => 夜 [73] => 雨 [74] => 铃 [75] => 。 [76] => < [77] => / [78] => p [79] => > ) Array ( [0] => 南 [1] => 乡 [2] => 子 [3] => · [4] => 泪 [5] => 咽 [6] => 却 [7] => 无 [8] => 声 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕