Array ( [0] => < [1] => p [2] => > [3] => 莲 [4] => 漏 [5] => 三 [6] => 声 [7] => 烛 [8] => 半 [9] => 条 [10] => , [11] => 杏 [12] => 花 [13] => 微 [14] => 雨 [15] => 湿 [16] => 红 [17] => 绡 [18] => 。 [19] => 那 [20] => 将 [21] => 红 [22] => 豆 [23] => 记 [24] => 无 [25] => 聊 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 春 [35] => 色 [36] => 已 [37] => 看 [38] => 浓 [39] => 似 [40] => 酒 [41] => , [42] => 归 [43] => 期 [44] => 安 [45] => 得 [46] => 信 [47] => 如 [48] => 潮 [49] => 。 [50] => 离 [51] => 魂 [52] => 入 [53] => 夜 [54] => 倩 [55] => 谁 [56] => 招 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 浣 [1] => 溪 [2] => 沙 [3] => · [4] => 莲 [5] => 漏 [6] => 三 [7] => 声 [8] => 烛 [9] => 半 [10] => 条 ) 浣溪沙·莲漏三声烛半条-纳兰性德清代-橙子学习网

《浣溪沙·莲漏三声烛半条》拼音版

清代纳兰性德

huanxisha··lianlousanshengzhubantiao

lianlousanshengzhubantiaoxinghuaweiyu湿shihongxiaonajianghongdoujiwuliaochunseyikannongsijiuguiqiandexinruchaolihunruyeqianshuizhao

纳兰性德简介

清代·纳兰性德的简介

纳兰性德

纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。

...〔► 纳兰性德的诗(223篇)