Array ( [0] => < [1] => p [2] => > [3] => 东 [4] => 风 [5] => 不 [6] => 解 [7] => 愁 [8] => , [9] => 偷 [10] => 展 [11] => 湘 [12] => 裙 [13] => 衩 [14] => 。 [15] => 独 [16] => 夜 [17] => 背 [18] => 纱 [19] => 笼 [20] => , [21] => 影 [22] => 著 [23] => 纤 [24] => 腰 [25] => 画 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 爇 [35] => 尽 [36] => 水 [37] => 沉 [38] => 烟 [39] => , [40] => 露 [41] => 滴 [42] => 鸳 [43] => 鸯 [44] => 瓦 [45] => 。 [46] => 花 [47] => 骨 [48] => 冷 [49] => 宜 [50] => 香 [51] => , [52] => 小 [53] => 立 [54] => 樱 [55] => 桃 [56] => 下 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 生 [1] => 查 [2] => 子 [3] => · [4] => 东 [5] => 风 [6] => 不 [7] => 解 [8] => 愁 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕