Array ( [0] => < [1] => p [2] => > [3] => 残 [4] => 雪 [5] => 凝 [6] => 辉 [7] => 冷 [8] => 画 [9] => 屏 [10] => , [11] => 落 [12] => 梅 [13] => 横 [14] => 笛 [15] => 已 [16] => 三 [17] => 更 [18] => , [19] => 更 [20] => 无 [21] => 人 [22] => 处 [23] => 月 [24] => 胧 [25] => 明 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 我 [35] => 是 [36] => 人 [37] => 间 [38] => 惆 [39] => 怅 [40] => 客 [41] => , [42] => 知 [43] => 君 [44] => 何 [45] => 事 [46] => 泪 [47] => 纵 [48] => 横 [49] => , [50] => 断 [51] => 肠 [52] => 声 [53] => 里 [54] => 忆 [55] => 平 [56] => 生 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 浣 [1] => 溪 [2] => 沙 [3] => · [4] => 残 [5] => 雪 [6] => 凝 [7] => 辉 [8] => 冷 [9] => 画 [10] => 屏 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕