Array ( [0] => < [1] => p [2] => > [3] => 微 [4] => 云 [5] => 一 [6] => 抹 [7] => 遥 [8] => 峰 [9] => , [10] => 冷 [11] => 溶 [12] => 溶 [13] => , [14] => 恰 [15] => 与 [16] => 个 [17] => 人 [18] => 清 [19] => 晓 [20] => 画 [21] => 眉 [22] => 同 [23] => 。 [24] => < [25] => / [26] => p [27] => > [28] => < [29] => p [30] => > [31] => 红 [32] => 蜡 [33] => 泪 [34] => , [35] => 青 [36] => 绫 [37] => 被 [38] => , [39] => 水 [40] => 沉 [41] => 浓 [42] => , [43] => 却 [44] => 与 [45] => 黄 [46] => 茅 [47] => 野 [48] => 店 [49] => 听 [50] => 西 [51] => 风 [52] => 。 [53] => < [54] => / [55] => p [56] => > ) Array ( [0] => 相 [1] => 见 [2] => 欢 [3] => · [4] => 微 [5] => 云 [6] => 一 [7] => 抹 [8] => 遥 [9] => 峰 ) 相见欢·微云一抹遥峰-纳兰性德清代-橙子学习网

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清代纳兰性德

xiangjianhuan··weiyunyimoyaofeng

weiyunyimoyaofenglengrongrongqiayugerenqingxiaohuameitonghonglaleiqinglingbeishuichennongqueyuhuangmaoyedianting西xifeng

纳兰性德简介

清代·纳兰性德的简介

纳兰性德

纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。

...〔► 纳兰性德的诗(223篇)