Array ( [0] => < [1] => p [2] => > [3] => 心 [4] => 灰 [5] => 尽 [6] => 、 [7] => 有 [8] => 发 [9] => 未 [10] => 全 [11] => 僧 [12] => 。 [13] => 风 [14] => 雨 [15] => 消 [16] => 磨 [17] => 生 [18] => 死 [19] => 别 [20] => , [21] => 似 [22] => 曾 [23] => 相 [24] => 识 [25] => 只 [26] => 孤 [27] => 檠 [28] => , [29] => 情 [30] => 在 [31] => 不 [32] => 能 [33] => 醒 [34] => 。 [35] => < [36] => / [37] => p [38] => > [39] => < [40] => p [41] => > [42] => 摇 [43] => 落 [44] => 后 [45] => , [46] => 清 [47] => 吹 [48] => 那 [49] => 堪 [50] => 听 [51] => 。 [52] => 淅 [53] => 沥 [54] => 暗 [55] => 飘 [56] => 金 [57] => 井 [58] => 叶 [59] => , [60] => 乍 [61] => 闻 [62] => 风 [63] => 定 [64] => 又 [65] => 钟 [66] => 声 [67] => , [68] => 薄 [69] => 福 [70] => 荐 [71] => 倾 [72] => 城 [73] => 。 [74] => < [75] => / [76] => p [77] => > ) Array ( [0] => 忆 [1] => 江 [2] => 南 [3] => · [4] => 宿 [5] => 双 [6] => 林 [7] => 禅 [8] => 院 [9] => 有 [10] => 感 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕