Array ( [0] => < [1] => p [2] => > [3] => 五 [4] => 月 [5] => 江 [6] => 南 [7] => 麦 [8] => 已 [9] => 稀 [10] => , [11] => 黄 [12] => 梅 [13] => 时 [14] => 节 [15] => 雨 [16] => 霏 [17] => 微 [18] => 。 [19] => 闲 [20] => 看 [21] => 燕 [22] => 子 [23] => 教 [24] => 雏 [25] => 飞 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 一 [35] => 水 [36] => 浓 [37] => 阴 [38] => 如 [39] => 罨 [40] => 画 [41] => , [42] => 数 [43] => 峰 [44] => 无 [45] => 恙 [46] => 又 [47] => 晴 [48] => 晖 [49] => 。 [50] => 湔 [51] => 裙 [52] => 谁 [53] => 独 [54] => 上 [55] => 渔 [56] => 矶 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 浣 [1] => 溪 [2] => 沙 [3] => · [4] => 五 [5] => 月 [6] => 江 [7] => 南 [8] => 麦 [9] => 已 [10] => 稀 )
清代·纳兰性德的简介
纳兰性德(1655-1685),满洲人,字容若,号楞伽山人,清代最著名词人之一。其诗词“纳兰词”在清代以至整个中国词坛上都享有很高的声誉,在中国文学史上也占有光采夺目的一席。他生活于满汉融合时期,其贵族家庭兴衰具有关联于王朝国事的典型性。虽侍从帝王,却向往经历平淡。特殊的生活环境背景,加之个人的超逸才华,使其诗词创作呈现出独特的个性和鲜明的艺术风格。流传至今的《木兰花令·拟古决绝词》——“人生若只如初见,何事秋风悲画扇?等闲变却故人心,却道故人心易变。”富于意境,是其众多代表作之一。
...〔► 纳兰性德的诗(223篇)〕