Array ( [0] => < [1] => p [2] => > [3] => 子 [4] => 卿 [5] => 还 [6] => 绝 [7] => 漠 [8] => , [9] => 贾 [10] => 谊 [11] => 返 [12] => 长 [13] => 沙 [14] => 。 [15] => 共 [16] => 喜 [17] => 天 [18] => 才 [19] => 定 [20] => , [21] => 俄 [22] => 惊 [23] => 日 [24] => 已 [25] => 斜 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 颓 [35] => 峰 [36] => 萦 [37] => 九 [38] => 折 [39] => , [40] => 逝 [41] => 水 [42] => 绕 [43] => 三 [44] => 巴 [45] => 。 [46] => 挂 [47] => 剑 [48] => 应 [49] => 无 [50] => 地 [51] => , [52] => 飞 [53] => 蓬 [54] => 惨 [55] => 泪 [56] => 笳 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 哭 [1] => 徐 [2] => 用 [3] => 先 )
明代·杨慎的简介
杨慎(1488~1559)明代文学家,明代三大才子之首。字用修,号升庵,后因流放滇南,故自称博南山人、金马碧鸡老兵。杨廷和之子,汉族,四川新都(今成都市新都区)人,祖籍庐陵。正德六年状元,官翰林院修撰,豫修武宗实录。武宗微行出居庸关,上疏抗谏。世宗继位,任经筵讲官。嘉靖三年,因“大礼议”受廷杖,谪戍终老于云南永昌卫。终明一世记诵之博,著述之富,慎可推为第一。其诗虽不专主盛唐,仍有拟右倾向。贬谪以后,特多感愤。又能文、词及散曲,论古考证之作范围颇广。著作达百余种。后人辑为《升庵集》。
...〔► 杨慎的诗(29篇)〕