Array ( [0] => < [1] => p [2] => > [3] => 梅 [4] => 子 [5] => 青 [6] => , [7] => 梅 [8] => 子 [9] => 黄 [10] => , [11] => 菜 [12] => 肥 [13] => 麦 [14] => 熟 [15] => 养 [16] => 蚕 [17] => 忙 [18] => 。 [19] => < [20] => / [21] => p [22] => > [23] => < [24] => p [25] => > [26] => 山 [27] => 僧 [28] => 过 [29] => 岭 [30] => 看 [31] => 茶 [32] => 老 [33] => , [34] => 村 [35] => 女 [36] => 当 [37] => 垆 [38] => 煮 [39] => 酒 [40] => 香 [41] => 。 [42] => < [43] => / [44] => p [45] => > ) Array ( [0] => 首 [1] => 夏 [2] => 山 [3] => 中 [4] => 行 [5] => 吟 )
明代·祝允明的简介
祝允明(1460—1527)字希哲,号枝山,因右手有六指,自号“枝指生”,又署枝山老樵、枝指山人等。汉族,长洲(今江苏苏州)人。他家学渊源,能诗文,工书法,特别是其狂草颇受世人赞誉,流传有“唐伯虎的画,祝枝山的字”之说。祝枝山所书写的“六体书诗赋卷”、“草书杜甫诗卷”、“古诗十九首”、“草书唐人诗卷”及“草书诗翰卷”等都是传世墨迹的精品。并与唐寅、文徵明、徐祯卿齐名,明历称其为“吴中四才子”之一。由于与唐寅遭际与共,情性相投,民间流传着两人的种种趣事。
...〔► 祝允明的诗(1篇)〕