Array ( [0] => < [1] => p [2] => > [3] => 寂 [4] => 历 [5] => 秋 [6] => 江 [7] => 渔 [8] => 火 [9] => 稀 [10] => , [11] => 起 [12] => 看 [13] => 残 [14] => 月 [15] => 映 [16] => 林 [17] => 微 [18] => 。 [19] => < [20] => / [21] => p [22] => > [23] => < [24] => p [25] => > [26] => 波 [27] => 光 [28] => 水 [29] => 鸟 [30] => 惊 [31] => 犹 [32] => 宿 [33] => , [34] => 露 [35] => 冷 [36] => 流 [37] => 萤 [38] => 湿 [39] => 不 [40] => 飞 [41] => 。 [42] => < [43] => / [44] => p [45] => > ) Array ( [0] => 江 [1] => 宿 )
明代·汤显祖的简介
汤显祖(1550—1616),中国明代戏曲家、文学家。字义仍,号海若、若士、清远道人。汉族,江西临川人。公元1583年(万历十一年)中进士,任太常寺博士、礼部主事,因弹劾申时行,降为徐闻典史,后调任浙江遂昌知县,又因不附权贵而免官,未再出仕。曾从罗汝芳读书,又受李贽思想的影响。在戏曲创作方面,反对拟古和拘泥于格律。作有传奇《牡丹亭》、《邯郸记》、《南柯记》、《紫钗记》,合称《玉茗堂四梦》,以《牡丹亭》最著名。在戏曲史上,和关汉卿、王实甫齐名,在中国乃至世界文学史上都有着重要的地位。
...〔► 汤显祖的诗(7篇)〕