Array ( [0] => < [1] => p [2] => > [3] => 田 [4] => 家 [5] => 重 [6] => 元 [7] => 日 [8] => , [9] => 置 [10] => 酒 [11] => 会 [12] => 邻 [13] => 里 [14] => 。 [15] => < [16] => / [17] => p [18] => > [19] => < [20] => p [21] => > [22] => 小 [23] => 大 [24] => 易 [25] => 新 [26] => 衣 [27] => , [28] => 相 [29] => 戒 [30] => 未 [31] => 明 [32] => 起 [33] => 。 [34] => < [35] => / [36] => p [37] => > [38] => < [39] => p [40] => > [41] => 老 [42] => 翁 [43] => 年 [44] => 已 [45] => 迈 [46] => , [47] => 含 [48] => 笑 [49] => 弄 [50] => 孙 [51] => 子 [52] => 。 [53] => < [54] => / [55] => p [56] => > [57] => < [58] => p [59] => > [60] => 老 [61] => 妪 [62] => 惠 [63] => 且 [64] => 慈 [65] => , [66] => 白 [67] => 发 [68] => 被 [69] => 两 [70] => 耳 [71] => 。 [72] => < [73] => / [74] => p [75] => > [76] => < [77] => p [78] => > [79] => 杯 [80] => 盘 [81] => 且 [82] => 罗 [83] => 列 [84] => , [85] => 饮 [86] => 食 [87] => 致 [88] => 甘 [89] => 旨 [90] => 。 [91] => < [92] => / [93] => p [94] => > [95] => < [96] => p [97] => > [98] => 相 [99] => 呼 [100] => 团 [101] => 圞 [102] => 坐 [103] => , [104] => 聊 [105] => 慰 [106] => 衰 [107] => 莫 [108] => 齿 [109] => 。 [110] => < [111] => / [112] => p [113] => > [114] => < [115] => p [116] => > [117] => 田 [118] => 硗 [119] => 借 [120] => 人 [121] => 力 [122] => , [123] => 粪 [124] => 壤 [125] => 要 [126] => 锄 [127] => 理 [128] => 。 [129] => < [130] => / [131] => p [132] => > [133] => < [134] => p [135] => > [136] => 新 [137] => 岁 [138] => 不 [139] => 敢 [140] => 闲 [141] => , [142] => 农 [143] => 事 [144] => 自 [145] => 兹 [146] => 始 [147] => 。 [148] => < [149] => / [150] => p [151] => > ) Array ( [0] => 题 [1] => 耕 [2] => 织 [3] => 图 [4] => 二 [5] => 十 [6] => 四 [7] => 首 [8] => 奉 [9] => 懿 [10] => 旨 [11] => 撰 )
元代·赵孟頫的简介
赵孟頫(1254—1322),字子昂,号松雪,松雪道人,又号水精宫道人、鸥波,中年曾作孟俯,汉族,吴兴(今浙江湖州)人。元代著名画家,楷书四大家(欧阳询、颜真卿、柳公权、赵孟頫)之一。赵孟頫博学多才,能诗善文,懂经济,工书法,精绘艺,擅金石,通律吕,解鉴赏。特别是书法和绘画成就最高,开创元代新画风,被称为“元人冠冕”。他也善篆、隶、真、行、草书,尤以楷、行书著称于世。
...〔► 赵孟頫的诗(64篇)〕