Array ( [0] => < [1] => p [2] => > [3] => 当 [4] => 昼 [5] => 耘 [6] => 水 [7] => 田 [8] => , [9] => 农 [10] => 夫 [11] => 亦 [12] => 良 [13] => 苦 [14] => 。 [15] => < [16] => / [17] => p [18] => > [19] => < [20] => p [21] => > [22] => 赤 [23] => 日 [24] => 背 [25] => 欲 [26] => 裂 [27] => , [28] => 白 [29] => 汗 [30] => 洒 [31] => 如 [32] => 雨 [33] => 。 [34] => < [35] => / [36] => p [37] => > [38] => < [39] => p [40] => > [41] => 匍 [42] => 匐 [43] => 行 [44] => 水 [45] => 中 [46] => , [47] => 泥 [48] => 淖 [49] => 及 [50] => 腰 [51] => 膂 [52] => 。 [53] => < [54] => / [55] => p [56] => > [57] => < [58] => p [59] => > [60] => 新 [61] => 苗 [62] => 抽 [63] => 利 [64] => 剑 [65] => , [66] => 割 [67] => 肤 [68] => 何 [69] => 痛 [70] => 楚 [71] => 。 [72] => < [73] => / [74] => p [75] => > [76] => < [77] => p [78] => > [79] => 夫 [80] => 耘 [81] => 妇 [82] => 当 [83] => 馌 [84] => , [85] => 奔 [86] => 走 [87] => 及 [88] => 亭 [89] => 午 [90] => 。 [91] => < [92] => / [93] => p [94] => > [95] => < [96] => p [97] => > [98] => 无 [99] => 时 [100] => 暂 [101] => 休 [102] => 息 [103] => , [104] => 不 [105] => 得 [106] => 避 [107] => 炎 [108] => 暑 [109] => 。 [110] => < [111] => / [112] => p [113] => > [114] => < [115] => p [116] => > [117] => 谁 [118] => 怜 [119] => 万 [120] => 民 [121] => 食 [122] => , [123] => 粒 [124] => 粒 [125] => 非 [126] => 易 [127] => 取 [128] => 。 [129] => < [130] => / [131] => p [132] => > [133] => < [134] => p [135] => > [136] => 愿 [137] => 陈 [138] => 知 [139] => 稼 [140] => 穑 [141] => , [142] => 《 [143] => 无 [144] => 逸 [145] => 》 [146] => 传 [147] => 自 [148] => 古 [149] => 。 [150] => < [151] => / [152] => p [153] => > ) Array ( [0] => 题 [1] => 耕 [2] => 织 [3] => 图 [4] => 二 [5] => 十 [6] => 四 [7] => 首 [8] => 奉 [9] => 懿 [10] => 旨 [11] => 撰 )
元代·赵孟頫的简介
赵孟頫(1254—1322),字子昂,号松雪,松雪道人,又号水精宫道人、鸥波,中年曾作孟俯,汉族,吴兴(今浙江湖州)人。元代著名画家,楷书四大家(欧阳询、颜真卿、柳公权、赵孟頫)之一。赵孟頫博学多才,能诗善文,懂经济,工书法,精绘艺,擅金石,通律吕,解鉴赏。特别是书法和绘画成就最高,开创元代新画风,被称为“元人冠冕”。他也善篆、隶、真、行、草书,尤以楷、行书著称于世。
...〔► 赵孟頫的诗(64篇)〕