Array ( [0] => < [1] => p [2] => > [3] => 吴 [4] => 蚕 [5] => 入 [6] => 茧 [7] => 双 [8] => 鸳 [9] => 绮 [10] => , [11] => 绣 [12] => 缕 [13] => 团 [14] => 花 [15] => 金 [16] => 凤 [17] => 尾 [18] => 。 [19] => 昔 [20] => 时 [21] => 啼 [22] => 艳 [23] => 晓 [24] => 妆 [25] => 慵 [26] => , [27] => 满 [28] => 眼 [29] => 春 [30] => 娇 [31] => 扶 [32] => 不 [33] => 起 [34] => 。 [35] => < [36] => / [37] => p [38] => > [39] => < [40] => p [41] => > [42] => 昔 [43] => 时 [44] => 解 [45] => 带 [46] => 罗 [47] => 袜 [48] => 松 [49] => , [50] => 玉 [51] => 尖 [52] => 微 [53] => 露 [54] => 生 [55] => 春 [56] => 红 [57] => 。 [58] => 翩 [59] => 翩 [60] => 白 [61] => 练 [62] => 轻 [63] => 舒 [64] => 卷 [65] => , [66] => 笋 [67] => 萚 [68] => 初 [69] => 翻 [70] => 宫 [71] => 样 [72] => 软 [73] => 。 [74] => < [75] => / [76] => p [77] => > [78] => < [79] => p [80] => > [81] => 三 [82] => 尺 [83] => 春 [84] => 云 [85] => 入 [86] => 手 [87] => 轻 [88] => , [89] => 一 [90] => 钩 [91] => 新 [92] => 月 [93] => 凌 [94] => 波 [95] => 浅 [96] => 。 [97] => 象 [98] => 床 [99] => 舞 [100] => 罢 [101] => 娇 [102] => 无 [103] => 力 [104] => , [105] => 雁 [106] => 沙 [107] => 踏 [108] => 破 [109] => 参 [110] => 差 [111] => 迹 [112] => 。 [113] => < [114] => / [115] => p [116] => > [117] => < [118] => p [119] => > [120] => 金 [121] => 莲 [122] => 窄 [123] => 小 [124] => 不 [125] => 堪 [126] => 行 [127] => , [128] => 独 [129] => 倚 [130] => 东 [131] => 风 [132] => 玉 [133] => 阶 [134] => 立 [135] => 。 [136] => < [137] => / [138] => p [139] => > ) Array ( [0] => 凌 [1] => 波 [2] => 曲 ) 凌波曲-萨都剌元代-橙子学习网
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《凌波曲》拼音版

元代萨都剌

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萨都剌简介

元代·萨都剌的简介

萨都剌

萨都剌(约1272—1355)元代诗人、画家、书法家。字天锡,号直斋。回族(一说蒙古族)。其先世为西域人,出生于雁门(今山西代县),泰定四年进士。授应奉翰林文字,擢南台御史,以弹劾权贵,左迁镇江录事司达鲁花赤,累迁江南行台侍御史,左迁淮西北道经历,晚年居杭州。萨都剌善绘画,精书法,尤善楷书。有虎卧龙跳之才,人称燕门才子。他的文学创作,以诗歌为主,诗词内容,以游山玩水、归隐赋闲、慕仙礼佛、酬酢应答之类为多,思想价值不高。萨都剌还留有《严陵钓台图》和《梅雀》等画,现珍藏于北京故宫博物院。

...〔► 萨都剌的诗(24篇)