Array ( [0] => < [1] => p [2] => > [3] => 离 [4] => 宫 [5] => 长 [6] => 蓬 [7] => 蒿 [8] => , [9] => 画 [10] => 栋 [11] => 落 [12] => 花 [13] => 綵 [14] => 。 [15] => 翠 [16] => 华 [17] => 不 [18] => 复 [19] => 游 [20] => , [21] => 空 [22] => 馀 [23] => 石 [24] => 城 [25] => 在 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 马 [35] => 蹄 [36] => 踏 [37] => 云 [38] => 霞 [39] => , [40] => 鸟 [41] => 声 [42] => 隔 [43] => 烟 [44] => 霭 [45] => 。 [46] => 老 [47] => 僧 [48] => 喜 [49] => 客 [50] => 来 [51] => , [52] => 山 [53] => 中 [54] => 深 [55] => 似 [56] => 海 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 和 [1] => 韵 [2] => 题 [3] => 石 [4] => 城 [5] => 峭 [6] => 壁 )
元代·萨都剌的简介
萨都剌(约1272—1355)元代诗人、画家、书法家。字天锡,号直斋。回族(一说蒙古族)。其先世为西域人,出生于雁门(今山西代县),泰定四年进士。授应奉翰林文字,擢南台御史,以弹劾权贵,左迁镇江录事司达鲁花赤,累迁江南行台侍御史,左迁淮西北道经历,晚年居杭州。萨都剌善绘画,精书法,尤善楷书。有虎卧龙跳之才,人称燕门才子。他的文学创作,以诗歌为主,诗词内容,以游山玩水、归隐赋闲、慕仙礼佛、酬酢应答之类为多,思想价值不高。萨都剌还留有《严陵钓台图》和《梅雀》等画,现珍藏于北京故宫博物院。
...〔► 萨都剌的诗(24篇)〕