Array ( [0] => < [1] => p [2] => > [3] => 远 [4] => 城 [5] => 市 [6] => 人 [7] => 稠 [8] => 物 [9] => 穰 [10] => ， [11] => 近 [12] => 村 [13] => 居 [14] => 水 [15] => 色 [16] => 山 [17] => 光 [18] => 。 [19] => 熏 [20] => 陶 [21] => 成 [22] => 野 [23] => 叟 [24] => 情 [25] => ， [26] => 铲 [27] => 削 [28] => 去 [29] => 时 [30] => 官 [31] => 样 [32] => ， [33] => 演 [34] => 习 [35] => 会 [36] => 牧 [37] => 歌 [38] => 樵 [39] => 唱 [40] => 。 [41] => 老 [42] => 瓦 [43] => 盆 [44] => 边 [45] => 醉 [46] => 几 [47] => 场 [48] => ， [49] => 不 [50] => 撞 [51] => 入 [52] => 天 [53] => 罗 [54] => 地 [55] => 网 [56] => 。 [57] => < [58] => / [59] => p [60] => > [61] => < [62] => p [63] => > [64] => 达 [65] => 时 [66] => 务 [67] => 呼 [68] => 为 [69] => 俊 [70] => 杰 [71] => ， [72] => 弃 [73] => 功 [74] => 名 [75] => 岂 [76] => 是 [77] => 痴 [78] => 呆 [79] => ？ [80] => 脚 [81] => 不 [82] => 登 [83] => 王 [84] => 粲 [85] => 楼 [86] => ， [87] => 手 [88] => 莫 [89] => 弹 [90] => 冯 [91] => 讙 [92] => 铗 [93] => ， [94] => 赋 [95] => 归 [96] => 来 [97] => 竹 [98] => 篱 [99] => 茅 [100] => 舍 [101] => 。 [102] => 古 [103] => 今 [104] => 陶 [105] => 潜 [106] => 是 [107] => 一 [108] => 绝 [109] => ， [110] => 为 [111] => 五 [112] => 斗 [113] => 腰 [114] => 肢 [115] => 倦 [116] => 折 [117] => 。 [118] => < [119] => / [120] => p [121] => > ) Array ( [0] => 双 [1] => 调 [2] => · [3] => 沉 [4] => 醉 [5] => 东 [6] => 风 [7] => · [8] => 归 [9] => 田 ) 双调·沉醉东风·归田-汪元亨元代-橙子学习网

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《双调·沉醉东风·归田》拼音版

元代：汪元亨

双shuang调diao··沉chen醉zui东dong风feng··归gui田tian

远yuan城cheng市shi人ren稠chou物wu穰rang，近jin村cun居ju水shui色se山shan光guang。熏xun陶tao成cheng野ye叟sou情qing，铲chan削xiao去qu时shi官guan样yang，演yan习xi会hui牧mu歌ge樵qiao唱chang。老lao瓦wa盆pen边bian醉zui几ji场chang，不bu撞zhuang入ru天tian罗luo地di网wang。达da时shi务wu呼hu为wei俊jun杰jie，弃qi功gong名ming岂qi是shi痴chi呆dai？脚jiao不bu登deng王wang粲can楼lou，手shou莫mo弹dan冯feng讙huan铗jia，赋fu归gui来lai竹zhu篱li茅mao舍she。古gu今jin陶tao潜qian是shi一yi绝jue，为wei五wu斗dou腰yao肢zhi倦juan折zhe。

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汪元亨简介

元代·汪元亨的简介

汪元亨

汪元亨（生卒不详），元代文学家。字协贞，号云林，别号临川佚老，饶州（今江西鄱阳）人元至正间出仕浙江省掾，后迁居常熟官至尚书。所作杂剧有三种，今皆不传。《录鬼簿续篇》说他有《归田录》一百篇行世，见重于人。现存小令恰一百首，中题名「警世」者二十首，题作《归田》者八十首。他生当元末明初乱世，从今存散曲内容看，多警世叹时之作，吟咏归田隐逸生活。在艺术上，其散曲风格豪放，语言质朴，善用排比，一气贯注：有些则潇洒典雅，情味浓郁，互文比喻，耐人寻味。

...〔► 汪元亨的诗(2篇)〕