Array ( [0] => < [1] => p [2] => > [3] => 石 [4] => 头 [5] => 城 [6] => 上 [7] => , [8] => 望 [9] => 天 [10] => 低 [11] => 吴 [12] => 楚 [13] => , [14] => 眼 [15] => 空 [16] => 无 [17] => 物 [18] => 。 [19] => 指 [20] => 点 [21] => 六 [22] => 朝 [23] => 形 [24] => 胜 [25] => 地 [26] => , [27] => 惟 [28] => 有 [29] => 青 [30] => 山 [31] => 如 [32] => 壁 [33] => 。 [34] => 蔽 [35] => 日 [36] => 旌 [37] => 旗 [38] => , [39] => 连 [40] => 云 [41] => 樯 [42] => 橹 [43] => , [44] => 白 [45] => 骨 [46] => 纷 [47] => 如 [48] => 雪 [49] => 。 [50] => 一 [51] => 江 [52] => 南 [53] => 北 [54] => , [55] => 消 [56] => 磨 [57] => 多 [58] => 少 [59] => 豪 [60] => 杰 [61] => 。 [62] => < [63] => / [64] => p [65] => > [66] => < [67] => p [68] => > [69] => 寂 [70] => 寞 [71] => 避 [72] => 暑 [73] => 离 [74] => 宫 [75] => , [76] => 东 [77] => 风 [78] => 辇 [79] => 路 [80] => , [81] => 芳 [82] => 草 [83] => 年 [84] => 年 [85] => 发 [86] => 。 [87] => 落 [88] => 日 [89] => 无 [90] => 人 [91] => 松 [92] => 径 [93] => 里 [94] => , [95] => 鬼 [96] => 火 [97] => 高 [98] => 低 [99] => 明 [100] => 灭 [101] => 。 [102] => 歌 [103] => 舞 [104] => 尊 [105] => 前 [106] => , [107] => 繁 [108] => 华 [109] => 镜 [110] => 里 [111] => , [112] => 暗 [113] => 换 [114] => 青 [115] => 青 [116] => 发 [117] => 。 [118] => 伤 [119] => 心 [120] => 千 [121] => 古 [122] => , [123] => 秦 [124] => 淮 [125] => 一 [126] => 片 [127] => 明 [128] => 月 [129] => ! [130] => < [131] => / [132] => p [133] => > ) Array ( [0] => 念 [1] => 奴 [2] => 娇 [3] => · [4] => 登 [5] => 石 [6] => 头 [7] => 城 [8] => 次 [9] => 东 [10] => 坡 [11] => 韵 ) 念奴娇·登石头城次东坡韵-萨都剌元代-橙子学习网

《念奴娇·登石头城次东坡韵》拼音版

元代萨都剌

niannujiao··dengshitouchengcidongpoyun

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萨都剌简介

元代·萨都剌的简介

萨都剌

萨都剌(约1272—1355)元代诗人、画家、书法家。字天锡,号直斋。回族(一说蒙古族)。其先世为西域人,出生于雁门(今山西代县),泰定四年进士。授应奉翰林文字,擢南台御史,以弹劾权贵,左迁镇江录事司达鲁花赤,累迁江南行台侍御史,左迁淮西北道经历,晚年居杭州。萨都剌善绘画,精书法,尤善楷书。有虎卧龙跳之才,人称燕门才子。他的文学创作,以诗歌为主,诗词内容,以游山玩水、归隐赋闲、慕仙礼佛、酬酢应答之类为多,思想价值不高。萨都剌还留有《严陵钓台图》和《梅雀》等画,现珍藏于北京故宫博物院。

...〔► 萨都剌的诗(24篇)