Array ( [0] => < [1] => p [2] => > [3] => 梦 [4] => 冷 [5] => 黄 [6] => 金 [7] => 屋 [8] => 。 [9] => 叹 [10] => 秦 [11] => 筝 [12] => 、 [13] => 斜 [14] => 鸿 [15] => 阵 [16] => 里 [17] => , [18] => 素 [19] => 弦 [20] => 尘 [21] => 扑 [22] => 。 [23] => 化 [24] => 作 [25] => 娇 [26] => 莺 [27] => 飞 [28] => 归 [29] => 去 [30] => , [31] => 犹 [32] => 认 [33] => 纱 [34] => 窗 [35] => 旧 [36] => 绿 [37] => 。 [38] => 正 [39] => 过 [40] => 雨 [41] => 、 [42] => 荆 [43] => 桃 [44] => 如 [45] => 菽 [46] => 。 [47] => 此 [48] => 恨 [49] => 难 [50] => 平 [51] => 君 [52] => 知 [53] => 否 [54] => , [55] => 似 [56] => 琼 [57] => 台 [58] => 、 [59] => 涌 [60] => 起 [61] => 弹 [62] => 棋 [63] => 局 [64] => 。 [65] => 消 [66] => 瘦 [67] => 影 [68] => , [69] => 嫌 [70] => 明 [71] => 烛 [72] => 。 [73] => < [74] => / [75] => p [76] => > [77] => < [78] => p [79] => > [80] => 鸳 [81] => 楼 [82] => 碎 [83] => 泻 [84] => 东 [85] => 西 [86] => 玉 [87] => 。 [88] => 问 [89] => 芳 [90] => 悰 [91] => 、 [92] => 何 [93] => 时 [94] => 再 [95] => 展 [96] => , [97] => 翠 [98] => 钗 [99] => 难 [100] => 卜 [101] => 。 [102] => 待 [103] => 把 [104] => 宫 [105] => 眉 [106] => 横 [107] => 云 [108] => 样 [109] => , [110] => 描 [111] => 上 [112] => 生 [113] => 绡 [114] => 画 [115] => 幅 [116] => 。 [117] => 怕 [118] => 不 [119] => 是 [120] => 、 [121] => 新 [122] => 来 [123] => 妆 [124] => 束 [125] => 。 [126] => 彩 [127] => 扇 [128] => 红 [129] => 牙 [130] => 今 [131] => 都 [132] => 在 [133] => , [134] => 恨 [135] => 无 [136] => 人 [137] => 、 [138] => 解 [139] => 听 [140] => 开 [141] => 元 [142] => 曲 [143] => 。 [144] => 空 [145] => 掩 [146] => 袖 [147] => , [148] => 倚 [149] => 寒 [150] => 竹 [151] => 。 [152] => < [153] => / [154] => p [155] => > ) Array ( [0] => 贺 [1] => 新 [2] => 郎 [3] => · [4] => 梦 [5] => 冷 [6] => 黄 [7] => 金 [8] => 屋 )
宋代·蒋捷的简介
蒋捷(生卒年不详),字胜欲,号竹山,宋末元初阳羡(今江苏宜兴)人。先世为宜兴巨族,咸淳十年(1274)进士。南宋亡,深怀亡国之痛,隐居不仕,人称“竹山先生”、“樱桃进士”,其气节为时人所重。长于词,与周密、王沂孙、张炎并称“宋末四大家”。其词多抒发故国之思、山河之恸 、风格多样,而以悲凉清俊、萧寥疏爽为主。尤以造语奇巧之作,在宋季词坛上独标一格,有《竹山词》1卷,收入毛晋《宋六十名家词》本、《疆村丛书》本;又《竹山词》2卷,收入涉园景宋元明词续刊本。
...〔► 蒋捷的诗(6篇)〕