Array ( [0] => < [1] => p [2] => > [3] => 东 [4] => 部 [5] => 资 [6] => 良 [7] => 守 [8] => , [9] => 北 [10] => 宫 [11] => 敦 [12] => 献 [13] => 酬 [14] => 。 [15] => 新 [16] => 枝 [17] => 渐 [18] => 接 [19] => 树 [20] => , [21] => 故 [22] => 冻 [23] => 欲 [24] => 含 [25] => 流 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 早 [35] => 花 [36] => 少 [37] => 馀 [38] => 雪 [39] => , [40] => 春 [41] => 寒 [42] => 极 [43] => 晚 [44] => 秋 [45] => 。 [46] => 徒 [47] => 嗟 [48] => 白 [49] => 岸 [50] => 远 [51] => , [52] => 空 [53] => 想 [54] => 赤 [55] => 松 [56] => 游 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 侍 [1] => 宴 [2] => 饯 [3] => 东 [4] => 阳 [5] => 太 [6] => 守 [7] => 范 )
南北朝·庾肩吾的简介
庾肩吾(487-551),字子慎,一作慎之。南阳新野(今属河南省)人。世居江陵。初为晋安王国常侍,同刘孝威、徐摛诸人号称“高斋学士”。简文即位,进度支尚书,有集十卷。历仕太子中庶子、进度支尚书、江州剌史等职,封武康县侯。工诗,其诗雕琢辞采,讲究声律。胡 应麟称其诗“风神秀相,洞合唐规”。《书品》为其重要的书法论著,文中挑选了以东汉张芝居首的草、隶书家共128人,按品位分高、中、低三等,每等再分上、中、下三级。此书的特点在于不是就每件作品加以品评,而是就每一级集中综合品评,区分优劣。
...〔► 庾肩吾的诗(94篇)〕