Array ( [0] => < [1] => p [2] => > [3] => 可 [4] => 怜 [5] => 幕 [6] => 上 [7] => 燕 [8] => , [9] => 差 [10] => 池 [11] => 弄 [12] => 羽 [13] => 衣 [14] => 。 [15] => 夜 [16] => 夜 [17] => 同 [18] => 巢 [19] => 宿 [20] => , [21] => 朝 [22] => 朝 [23] => 相 [24] => 对 [25] => 飞 [26] => 。 [27] => < [28] => / [29] => p [30] => > [31] => < [32] => p [33] => > [34] => 衔 [35] => 泥 [36] => 瞻 [37] => 乐 [38] => 善 [39] => , [40] => 相 [41] => 贺 [42] => 奉 [43] => 英 [44] => 徽 [45] => 。 [46] => 秋 [47] => 蝉 [48] => 行 [49] => 寂 [50] => 寞 [51] => , [52] => 恋 [53] => 此 [54] => 未 [55] => 辞 [56] => 归 [57] => 。 [58] => < [59] => / [60] => p [61] => > ) Array ( [0] => 和 [1] => 晋 [2] => 安 [3] => 王 [4] => 咏 [5] => 燕 [6] => 诗 )
南北朝·庾肩吾的简介
庾肩吾(487-551),字子慎,一作慎之。南阳新野(今属河南省)人。世居江陵。初为晋安王国常侍,同刘孝威、徐摛诸人号称“高斋学士”。简文即位,进度支尚书,有集十卷。历仕太子中庶子、进度支尚书、江州剌史等职,封武康县侯。工诗,其诗雕琢辞采,讲究声律。胡 应麟称其诗“风神秀相,洞合唐规”。《书品》为其重要的书法论著,文中挑选了以东汉张芝居首的草、隶书家共128人,按品位分高、中、低三等,每等再分上、中、下三级。此书的特点在于不是就每件作品加以品评,而是就每一级集中综合品评,区分优劣。
...〔► 庾肩吾的诗(94篇)〕