Array ( [0] => < [1] => p [2] => > [3] => 红 [4] => 板 [5] => 桥 [6] => 头 [7] => 秋 [8] => 光 [9] => 暮 [10] => 。 [11] => 淡 [12] => 月 [13] => 映 [14] => 烟 [15] => 方 [16] => 煦 [17] => 。 [18] => 寒 [19] => 溪 [20] => 蘸 [21] => 碧 [22] => , [23] => 绕 [24] => 垂 [25] => 杨 [26] => 路 [27] => 。 [28] => 重 [29] => 分 [30] => 飞 [31] => , [32] => 携 [33] => 纤 [34] => 手 [35] => 、 [36] => 泪 [37] => 如 [38] => 雨 [39] => 。 [40] => 波 [41] => 急 [42] => 隋 [43] => 堤 [44] => 远 [45] => , [46] => 片 [47] => 帆 [48] => 举 [49] => 。 [50] => 倏 [51] => 忽 [52] => 年 [53] => 华 [54] => 改 [55] => , [56] => 向 [57] => 期 [58] => 阻 [59] => 。 [60] => < [61] => / [62] => p [63] => > [64] => < [65] => p [66] => > [67] => 时 [68] => 觉 [69] => 春 [70] => 残 [71] => , [72] => 渐 [73] => 渐 [74] => 飘 [75] => 花 [76] => 絮 [77] => 。 [78] => 好 [79] => 夕 [80] => 良 [81] => 天 [82] => 长 [83] => 孤 [84] => 负 [85] => 。 [86] => 洞 [87] => 房 [88] => 闲 [89] => 掩 [90] => , [91] => 小 [92] => 屏 [93] => 空 [94] => 、 [95] => 无 [96] => 心 [97] => 觑 [98] => 。 [99] => 指 [100] => 归 [101] => 云 [102] => , [103] => 仙 [104] => 乡 [105] => 杳 [106] => 、 [107] => 在 [108] => 何 [109] => 处 [110] => 。 [111] => 遥 [112] => 夜 [113] => 香 [114] => 衾 [115] => 暖 [116] => , [117] => 算 [118] => 谁 [119] => 与 [120] => 。 [121] => 知 [122] => 他 [123] => 深 [124] => 深 [125] => 约 [126] => , [127] => 记 [128] => 得 [129] => 否 [130] => 。 [131] => < [132] => / [133] => p [134] => > ) Array ( [0] => 迷 [1] => 神 [2] => 引 [3] => · [4] => 红 [5] => 板 [6] => 桥 [7] => 头 [8] => 秋 [9] => 光 [10] => 暮 ) 迷神引·红板桥头秋光暮-柳永宋代-橙子学习网

《迷神引·红板桥头秋光暮》拼音版

宋代柳永

mishenyin··hongbanqiaotouqiuguangmu

hongbanqiaotouqiuguangmudanyueyingyanfangxuhanxizhanbiraochuiyangluzhongfenfeixiexianshouleiruyubojisuidiyuanpianfanjushuhunianhuagaixiangqizushijuechuncanjianjianpiaohuaxuhaoxiliangtianchanggufudongfangxianyanxiaopingkongwuxinquzhiguiyunxianxiangyaozaihechuyaoyexiangqinnuansuanshuiyuzhitashenshenyuejidefou

柳永简介

宋代·柳永的简介

柳永

柳永,(约987年—约1053年)北宋著名词人,婉约派代表人物。汉族,崇安(今福建武夷山)人,原名三变,字景庄,后改名永,字耆卿,排行第七,又称柳七。宋仁宗朝进士,官至屯田员外郎,故世称柳屯田。他自称“奉旨填词柳三变”,以毕生精力作词,并以“白衣卿相”自诩。其词多描绘城市风光和歌妓生活,尤长于抒写羁旅行役之情,创作慢词独多。铺叙刻画,情景交融,语言通俗,音律谐婉,在当时流传极其广泛,人称“凡有井水饮处,皆能歌柳词”,婉约派最具代表性的人物之一,对宋词的发展有重大影响,代表作 《雨霖铃》《八声甘州》。

...〔► 柳永的诗(182篇)